Archive for the cookbooks Topic


In the News: Paperback shame, Dead White Men

What’s in a cover? The stigma of paperback originals.

In praise of dead white men: Lindsay Johns on why the Western literary canon should be taught to everyone.

Meet Benvenuto Cellini, the great-granddaddy of the tell-all celebrity memoir.

Don DeLillo received the 2010 PEN/Saul Bellow Award for Achievement in American Fiction.

Nathan Myhrvold, the former chief technology officer of Microsoft, will self-publish a six-volume, two-thousand-four-hundred-page, six-hundred-and-twenty-dollar cookbook called “Modernist Cuisine.”

A new survey shows that owning an e-reader boosts reading habits.

Country-music superstar Shania Twain will release an autobiography next spring.

Three concepts for the future of the book.

How the Brontës divide humanity into librarians and rock stars.

Posted on Sep 24th, 2010 by Jenny Hendrix in Bevenuto Cellini, Don DeLillo, In the News, Lindsay Johns, Nathan Myhrvold, Shania Twain, celebrity, cookbooks, e-reading, memoir, paperbacks, the Bronte sisters, western canon |

Cooking for Geeks

cookingforgeeks1.jpgI’ll admit that I pretty much never wing it in the kitchen; I follow recipes exactly, and have very little idea what makes them work. So it’s no surprise that I am captivated when watching a real chef in action. They move with a rhythm and intuition that seems almost magical. But of course it isn’t magic: it’s based on hard science, the chemical reactions of food in contact with heat, cold, other food, etc. In a new cookbook, “Cooking for Geeks: Real Science, Great Hacks, and Good Food,” Jeff Potter, a software engineer, takes a look at what’s really going on in your sautée pan, with the intention of helping even the most hapless chef master some of the magic.

Potter covers an array of topics, including “calibrating your equipment” in the kitchen, gastronomy, genetically modified foods, understanding pH levels, temperature, and the psychology of taste, while giving readers a refresher in chemistry that is both accessible and (dare I say) fun when applied to specific recipes. He explains that “the primary chemical reactions in cooking are triggered by heat,” and “you can tell when something is done cooking by understanding what reactions you want to trigger and then detecting when those reactions have occurred.” If you’re cooking a steak, for example, he suggests checking the internal temperature with a thermometer: “Once it’s reached 140°F, the myosin proteins will have begun to denature” (when the molecules begin to change shape).

A chapter in the book deals with food safety and understanding how to prevent food-born illnesses, which greatly appeals to the hypochondriac in me. In order to prevent eating foods contaminated by salmonella, which seems particularly pertinent in light of the recent outbreak, Potter explains that salmonella is killed when it is cooked at 136°F, but only when that temperature is sustained for a sufficient length of time. To be safe, poultry, for example, needs to reach an internal temperature of 165°F, the temperature at which salmonella “dies a quick death.”

Perhaps the most interesting section deals with the physiology and the cultural psychology involved in taste. The receptors on our tongue send information to our brain translating the taste and strength of a food and a person’s upbringing informs their idea of a balanced flavor. Americans tend to prefer sweeter foods than Europeans, and in the Japanese tradition foods with umami or a savory taste are favored. Understanding which enzyme produces which reaction can lead to a surprisingly palatable combination, like Potter’s recipe for Watermelon and Feta Cheese Salad.

Also fascinating are the secret tricks Potter intersperses throughout the book. For example, meat can be tenderized by putting it in a papaya, which “contains an enzyme, papain, that acts as a meat tenderizer by hydrolyzing collagen.” (Side note: “Pound-for-pound collagen is stronger than steel.”) And you should always whisk your egg whites in a copper bowl rather than in a stainless-steel bowl (and never in a plastic a bowl) because the goal of whisking egg whites is to trap air bubbles in a mesh of denature proteins. So when you whisk in a copper bowl, the “copper ions interact with the proteins in the egg whites and make it a more stable foam,” giving you those perfect meringue peaks.

Recently, I took Potter’s book for a spin. I followed his suggestion to be an “environmentally conscious geek,” and made a summer gazpacho from local, organic products I picked up at a farmer’s market in Brooklyn. Potter suggests checking out localfoodswheel.com to see what vegetables are in season for your region. Usually, I’m fearful to deviate from any recipe, but with gazpacho I didn’t think I could go wrong. So I decided to grill some extra bell peppers and peel and seed the tomatoes by hand. To peel tomatoes you drop them into a pot of bowling water for a few seconds, and Potter suggests cutting an “x” into the skin before slowly peeling it away. It was a bit of a messy process, but in the end it was delicious. For dessert, I made Potter’s “One Bowl Chocolate Cake” (though we used six) and topped it with a ganache frosting.

Potter’s recipes range in complexity from buttermilk pancakes to duck confit, and all seem like fine occasions for unleashing one’s inner geek. My own session with the book made me feel a lot more confident in my cooking, even if the dinner-table conversation that evening, which consisted of me explaining to my obliging guests exactly why their gazpacho tasted the way it did, was perhaps less riveting than usual.

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Posted on Aug 31st, 2010 by Monica Racic in Cooking for Geeks, Jeff Potter, cookbooks |

Test Kitchen: Tapas

THEBOOKOFTAPASflatcover.jpgFlipping through the exquisite photographs in Simone and Inés Ortega’s “The Book of Tapas” made me instantly nostalgic for a week I once spent in Madrid. I remembered plentiful, inexpensive wine; olives of every shape and hue; ham so good I was still stuffing it in my mouth when I got on the plane to leave.

My task was to recreate my Madrid tapas experience using only this book, ingredients I could find in New York, and my apartment’s comically small kitchen. I invited four guests—ambitious, perhaps—and on the night before the party began the daunting task of choosing which dishes to prepare. At four hundred and thirty pages, “The Book of Tapas” is nothing short of encyclopedic: common Spanish ingredients are listed in a section at the front, and the recipes that follow seem to combine and re-combine these ingredients in every possible permutation. (The book is divided into no-nonsense categories: vegetables cold, vegetables hot, egg and cheese cold, egg and cheese hot, etc.) As a start, I eliminated anything that required a deep-fryer (so long, croquettes) and recipes calling for hard-to-find sea creatures (baby eel, octopus). My guest list included one vegetarian, so I needed a mixture of vegetable and meat dishes. And because I did not want to spend the whole party in the kitchen on a hot summer night, I decided to choose several tapas that could be prepared ahead of time and served chilled.

I settled on olive caviar, mushroom and olive salad, baked cheese sticks, and melon balls with ham, all of which I would make before the party. After the guests arrived, I would duck into the kitchen to whip up patatas bravas and fried green asparagus with garlic, vinegar, and paprika. All but one of the ingredients were easily found and purchased Whole Foods. For my beloved serrano ham, I was happy to trek to Despaña, a Spanish food boutique in Soho. While I waited for the ham to be sliced, I tasted dozens of cheeses set out on sampling tables throughout the store.

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Back at home, I got to work on the cold dishes. For the olive caviar, one blends anchovies, olives, capers, and olive oil in a food processor until a paste is formed. Mine never reached the creamy consistency of the spread in the photograph, partly because I quit when my tiny blender (the late-night infomercial variety) began to smoke. For the mushroom and olive salad, I sautéed a chopped red bell pepper and whole mushrooms before adding tomato sauce, olives, and garlic. The recipe said to simmer the mixture for ten minutes, but the end result looked more like a sauce to put on something else than a salad to eat alone. As I put it into the refrigerator to cool, I worried that I should have cooked the mixture longer to let the liquid reduce. Fortunately, the baked cheese sticks were fun to make: melt butter in a pan, combine with flour, bread crumbs, and parmesan, fashion into logs with your hands, and then bake at 400 degrees. Mine came out looking more like slugs than like neat, square, sticks, but I was pleased to find that they didn’t crumble when they came out of the oven.

The ham-wrapped melon balls were just as simple as they sound. After scooping out the insides of a ripe cantaloupe, I wrapped each ball with a thin strip of ham and then inserted a toothpick. As I worked, stealing tastes of ham, it occurred to me that “The Book of Tapas” relies more on the quality of the ingredients than on the skill of the chef. Many of the dishes, I realized, could be prepared with minimal effort and then served as appetizers that would make any dinner party seem more sophisticated.

373Melonballswithham.jpg I made many more than the twenty-four ham-wrapped melon balls that the recipe called for, and ate at least ten as I worked, juice running down my chin. Because the recipes were so easy, I finished with plenty of time to clean up before the party. I’d asked my guests to bring wine, but at the last minute, again thinking of Spain, I panicked and dashed out to buy two bottles of Rioja. Tapas are bar-food, after all, and I find that people are more receptive to my culinary experiments when they’ve had enough to drink.

As soon my guests walked through the door, I filled their glasses and set them to work on the food. As predicted, the ham with melon was a big hit; even the vegetarian seemed intrigued. And, though I’d worried about the consistency of the olive and mushroom salad, the ingredients had blended well, the olive and garlic giving the tomato a rich, complex taste. The baked cheese sticks were also popular; everyone agreed that when combining butter, flour, and cheese, there is very little that can go wrong. Most of us loved the tangy flavor of the parmesan, although one naysayer insisted that the cheese taste should have been even stronger. Of all of the dishes, only the olive caviar was left uneaten. For the vegetarian’s benefit, I’d announced that the spread contained anchovies, which made everyone squeamish. Worse, the anchovies, capers, and olives—each salty on their own—had combined to make something that tasted too much like the sea.

Everyone was in a good mood when I headed back to the kitchen to cook the patatas bravas: small potatoes (I’d bought fingerlings) boiled, then peeled and topped with a sauce of olive oil, white wine vinegar, paprika, garlic, and Worcestershire sauce. I enlisted the vegetarian, a self-proclaimed potato-boiling expert, to help me decide when the potatoes were ready, and they came out perfectly tender. But what made the dish great was the vinegary sauce, which was unanimously voted as one of the best tastes of the evening.

The final dish was the asparagus. Of all of the recipes, this one seemed the most unusual: bread is fried in a pan with oil, then dumped into a mortar and pestle and pounded with garlic to make a topping for the sautéed asparagus. After frying the bread, I chose an accomplice to operate the mortar and pestle (yes, I have one!) while I worked on the asparagus. At the very end, after the bread mixture and the asparagus were combined, I sprinkled white wine vinegar on top.

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Again, the vinegar was the star of the show, combining with the garlicky fried bread in a way that made even those not usually fond of asparagus happy to eat their vegetables. As I looked around at all the empty plates and glasses, I realized that my tapas experiment—thanks to the Ortegas’ excellent book—had been a success. Along with the ample supply of wine, the six small dishes had made for a festive and satisfying meal with plenty of room for laughter and conversation.

We ended the night by eagerly sopping up the last of the vinegar sauces with bread.

Photos from “The Book of Tapas” courtesy of Phaidon Press www.phaidon.com.

Posted on Jul 23rd, 2010 by Eileen Reynolds in Test Kitchen, The Book of Tapas, cookbooks, tapas |

Dining with the Stars

ate.JPGYou are what you eat: you’ve heard it from parents at the dinner table, from countless diet books, from the BBC. We tend to believe it implicitly, which is part of the reason so many novels feature meals. While one character sears a salmon with ramps, another has cigarettes with a sandwich, and we feel we know more about their personalities as a result. This idea is at the amusing heart of the fun if slightly flip collection of trivia, “What the Great Ate: A Curious History of Food and Fame,” by Matthew and Mark Jacob. There are plenty of peculiar stories (Angelina Jolie thinks cockroaches are snack food! Vladimir Nabokov once sampled his butterflies! Edison served guests leather covered in gravy!). But a good helping of the book’s pleasure comes from the cognitive dissonance of the “great” eating, well, the small. Does it trivialize the president to learn that Ronald Reagan was a lover of Jelly Beans? Or make Saddam Hussein seem fond of American values to hear that he had a soft spot for Kellogg’s Raisin Bran Crunch cereal? Well, yes, a little.

It couldn’t be a better time for a food book of this sort, or of any sort. People have the munchies for culinary writing. Celebrity chef reminiscences, diet books, cookbooks, food travel books, memoirs through meals: they’re ubiquitous, and they capitalize on the simultaneous dawn of a national obsession with obesity and of the era of “foodies,” slow foods, and gourmet everything-under-the-sun. The two trends initially seem at odds. One encourages us to expand the borders of our taste—to eat more things, new things—and the other seeks to restrict that taste. But, as far as I can see, they’re aligned: both, like circling ravenous wolves, make our conversations revolve around food, make us think about it, talk about it, write about it, worry about it, deny it, and, in a Pavlovian way, make us primed to eat more of it. It’s a recursive cycle, and its influential geometry casts doubt on the idea that what people snack on says terribly much about them, whether they are Joe Schmo or Joe DiMaggio. The truth is, we’re omnivorous beings who will down almost anything (just ask that kid in my fifth grade class who favored glue and gummy erasers; or Ray Charles, whose family consumed “everything on the pig but the oink”) and what we eat over the course of a lifetime is, more often than not, what we’ve been told to.

Posted on Jul 21st, 2010 by Deirdre Foley-Mendelssohn in Angelina Jolie, Mark Jacob, Matthew Jacob, Ray Charles, Vladimir Nabokov, What the Great Ate, cookbooks |

Feasting with the Famous

Thanksgiving Feast.jpgYesterday’s rumor that Taylor Swift plans to release a cookbook has to be false. Because what kind of just God would allow her to master cookbook-worthy recipes, like beef bourguignon or Earl Grey soufflés, when I’m still struggling with overcooked chickens and awkwardly chewy kale?

This rumor also recalled for me an odd-sounding cookbook mentioned in passing in Adam Gopnik’s recent article: “Monet’s Table: The Cooking Journals of Claude Monet.” Is the idea behind such a book, I wondered, that a genius in one art would lend itself to another? That a balance of colors, or chords, would translate to spices and salts? A little research turned up a host of similar offerings, including a series whose titles sound more like a Sotheby’s auction than a sumptuous meal: “Cézanne and the Provencal Table,” “Renoir’s Table,” and “Van Gogh’s Table: At the Auberge Ravoux,” among others. (The latter was a particularly off-putting offering, to my mind, tainted by the legend that the ravenous Van Gogh’s culinary experiments in those days may have involved such appetizing ingredients as absinthe and lead paint.) Only then did I realize these books were an answer to the oldest party question on the planet: if you could have dinner with any person in history, who would it be? These cookbooks offer a secular transubstantiation, a séance in which, by eating the bread and the wine of our idols, we can, so to speak, invite them to the dinner table and have them pull up a chair. So I’m doing a little research, hoping to uncover some hearty whale-meat recipes, so that I can conjure the ghost of Melville for my Thanksgiving meal. Bon Appétit!

(Image: Vintage Thanksgiving Day Postcard by Dave)

Posted on Nov 25th, 2009 by Deirdre Foley-Mendelssohn in Adam Gopnik, Cezanne, Monet, Renoir, Taylor Swift, Van Gogh, cookbooks, cookng, salt, spices |

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