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My only issue with the book, the absolutely horrid photo on the cover aside, is the business orientation of the book which leaves questions about other issues, all of which interelate to each other.

As one example, the issue of drug use is treated in a very shallow fashion. While I am not looking for sensationalism, it seems clear that but for his drug use Hendrix would never have gotten behind the contractual eight ball so far - which the book implies the monetary impact of which had some effect on his eventual death.

On the other hand, I have learned quite a bit about Hendrix, his business deals, and perhaps most importantly, about his music. I was never aware of some his side projects including the Gypsys Suns & Rainbows or his all too brief session work with John McLauglin. There are also some interesting photos included in the book.

Cover photo aside, this book is probably the best $ I've spent in a long time.


At last, The Real Story of Jimi Hendrix's Life!!!   January 30, 2003
 5 out of 6 found this review helpful

This book takes an inside look at the life and legend of the man that was James Marshall(Jimi) Hendrix. His troubled youth and how he had to suffer tremendous hardships just to be noticed. His love affair with blues music and his affinity for the guitar are also well intact. What puzzles me is why so many people would want to drag Jimi's name through the mud and desecrate his legacy and good fortune with lies and deceit. Why couldn't people have respect enough for Jimi and his music to take it seriosuly and treat it like gold, instead of commercializing for their own personal gain and profit? Jimi was a serious artist and this book certainly attests to that. He wasn't in it for the money or fame or recognition. He was simply in it for the music.
He deserved to be treated better by people who called themselves "His Friends." Jimi was a incredible man and amazing guitar player as well, but he was also very human. He had a very vulnerable side to him as well. He had enough problems without people wanting him to be everything to them. He couldn't do that.
He needed someone to love him and someone to respect him and take him at face value instead of having him always be Mr. Rock guitar god. he wanted people to listen to his music and be taken seriously. He was sick and tired of doing the same theatrical tricks that he had done with the guitar night after night, and now he just wanted people to listen to him, and not look at what he was doing with his guitar. he didn't need to prove anything anymore. he'd already done it. it was time for him to move into a new direction. Unfortunately, that new direction was never fully realized during hendrix's lifetime. Only now, after his death do we fully know just exactly what he was trying to achieve. Some things we'll never know. That was the genius of Hendrix. To keep people guessing. He'll never know how much of an impact he has had and continues to have on people's lives even to this day. God Bless You, Jimi. We Love You, Man!!!


Unbiased Biography of Jimi Hendrix   June 4, 2002
 1 out of 4 found this review helpful

An interesting and well written account of James Allen Hendrix's transformation into "Jimi" and the tremendous influence Chas Chandler had on his development into a major star.


Walk a mile in Jimi's shoes   October 3, 2001
 3 out of 3 found this review helpful

I've read all of the Jimi bios over the years and to me, this one is the best. Maybe the act of helping Jimi get the sounds he envisioned helped Eddie to get into his head just a little bit. Reading the book, I found myself sucked into the making of the music and my appreciation of the music has grown as a result.

Let's give this one 6 stars.


The Most Even-Handed Hendrix Bio Available   September 8, 2001
 34 out of 39 found this review helpful

Disclaimer: Huge Hendrix worshipper! When this book appeared in 1992 it was (and still is) the most even-handed biography on Jimi. Previous bios were from either muckrakers who were trying to damage his legacy, or by people who never met him and were trying to make grand statements about his talent. In this book McDermott has taken the time to get first-hand accounts from those who knew Hendrix best, including bandmates and business associates. The most valuable asset here is engineer Eddie Kramer, who was Hendrix's close friend and trusted creative confidant. (However, it seems that Noel Redding was consulted less than other bandmates, possibly because he had a more unflattering story to tell).

Getting these valuable first-hand accounts gives us a very balanced view of Jimi's personality, and both sides of the coin are shown. You get the expected admiration for his talent, and the good sides of his personality. You also get the not-so-good parts, such as Jimi's paranoia, insecurities, and appallingly poor business sense. This book is not afraid to give bad reviews of Hendrix's poor live performances with the Experience when they were on the verge of splintering, or with the undeveloped Band of Gypsys. Also, his pathetic death (choking on his own vomit) is not dwelled upon and is treated as the senseless mistake it really was, rather than the noble, romanticized exit from this world (or even suicide) that you'll hear about in other accounts.

The excessive details about Hendrix's sloppy business arrangements provide valuable information, even though these passages get very long-winded and detract from the focus of the book - which is the man and his music. Also, be suspicious of character descriptions of people who are not around to give their side of the story. This doesn't apply to Hendrix himself, as described above, but to late manager Michael Jeffery. This man surely left plenty of evidence that he was paranoid and power-hungry, but the descriptions of his personality by the people in the book, most of whom didn't like him, should be treated with suspicion, as he's not around to have his say. To a lesser extent, the same applies to Jimi's sexy but dangerous girlfriend Devon Wilson.

The coverage of the posthumous Hendrix musical catalog is getting outdated (fortunately). Certainly after his death, the managers and record companies flooded the market with inferior material, most of which was either impromptu jam sessions or sub-par live performances which were never meant for release. Until the mid-90's this avalanche of so-called "lost" material blurred the brilliance of the smaller amount of official records that Jimi really tailored for the public. This situation has been mostly resolved since 1994 when the Hendrix family finally gained control of the musical copyrights. They've given us great reissues of the official albums, as well as the incredible "First Rays of the New Rising Sun" which consolidates the album Hendrix was creating at the time of his death. But with things like "South Saturn Delta" and "Live at the Fillmore East" the Hendrix family is almost as guilty of barrel-scraping as the bad guys were in the 70's.