1. Radio Edit - This is the original version a lot of people might have heard. It's very 2-Step meets techno beats in a way. It's very edgy, great vocals by both partners, Beckham & Bowers. This was a Top 5 hit, reaching to No. 2! Victoria Beckham hits thr bulls-eye with a successful solo-attempt, and Bowers gives a great performance. 5/5: A+++

2. 10 Degrees Below Vs. X-Men Vocal Mix - The remix! Yay! This kind of "pops" it up a little bit, but it does keep the original in tact. It's at the same pace of vocals, but is sped up a little. It's more 2-Step than dance or anything other. Still a good remix, not bad! 5/5: A

3. 10 Degrees Below Dub - It's just one side of the Vocal mix dubbed into about a 4 minute mix. It's got no vocals, which I really don't like, so this is kind of a waste of space on a good CD, a club mix, by a good remixer should've taken it's place. 2/5: C

There are some highs on this single, but closes out very badly. The dub is not great, but it's not terrible. The remix version and the Radio Edit are great, but the "Dub" kind of weakens the single. But, Beckham, Bowers & Truesteppers do pull off a great single for hearing pleasure. Worth the wait for Beckham's debut, check out her album "Victoria Beckham"! Very cool! Dane Bowers and Truesteppers are great as well. Very Enjoyable Single! Statistics:

Average Song Grade: 4
Single Overall Grade: 4.5

Letter Grade : A


solid breakbeat/dance track from former spice girl.   July 27, 2001
^petroL (NJ United States)
2 out of 3 found this review helpful

It's quite interesting how truesteppers cut the breaks on this track, and they do it rather fashionably (almost steps into the IDM subgenre of electronic music). However, the only thing I think is a bit overdone is the use of the vocoder and vocal effects. Victoria can sing, and it would be nice to hear her perform a solo without the interference. Although not as seemingly popular as a dance track as Mel C's I turn to you (which is an exceptional tune but was practically played to death on the airwaves), it stands apart from the overflowing amount of commercial dance garbage.