The Sisters Rosensweig: Starring Jamie Lee Curtis, JoBeth Williams, Tony Roberts, and Caroline Aaron (Audio Theatre Series) | 
| Author: Wendy Wasserstein
Publisher: L.A. Theatre Works
Category: Book
Buy New: $25.95
New (1) Used (6) from $8.98
Rating:  4 reviews
Sales Rank: 2231203
Format: Unabridged
Media: Audio Cassette
Edition: Unabridged
Number Of Items: 2
Shipping Weight (lbs): 0.4
Dimensions (in): 6.9 x 5.6 x 1
ISBN: 1580811353
Dewey Decimal Number: 812
EAN: 9781580811354
ASIN: 1580811353
Publication Date: December 2000
Availability: Temporarily out of stock. Order now and we'll deliver when available. We'll e-mail you with an estimated delivery date as soon as we have more information. Your credit card will not be charged until we ship the item.
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Product Description
Starring: Jamie Lee Curtis, JoBeth Williams, Tony Roberts, Caroline Aaron, Jay Paulson, Kala Savage, John Vickery, James Warwick This delightful Broadway hit chronicles three Jewish sisters from Brooklyn as they gather in London to celebrate a birthday. Wasserstein's three sisters include a brilliant banker and single mother who has given up on romance, a suburban housewife who moonlights as a talk-show host and a travel writer who still wants to write her serious book.
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| Customer Reviews:
"There are real possibilities in life, even for leftover meat and cabbage." March 14, 2009
Mary Whipple (New England)
1 out of 1 found this review helpful
A reunion of the three Rosensweig sisters for the fifty-fourth birthday celebration of oldest sister Sara Goode, provides feminist author Wendy Wasserstein the opportunity to explore the role of women in society, their opportunities for success, their roles as Jews, and their searches for identity, all trademark themes for Wasserstein. In this play, however, the characters are much quirkier than usual, offering Wasserstein more opportunities for pointed, and sometimes poignant, humor than one finds in some of her other plays. All three Rosensweigs, having grown up in Brooklyn, have now moved on to other parts of the world, individually accepting what they want from their heritage while rejecting the rest.
Sara, a highly successful banker, lives with her daughter Tess in Queen Anne's Gate, London. Married and divorced twice, Sara is no longer interested in marriage, nor does she believe that she will ever return "home." The middle sister, "Gorgeous" Teitelbaum, lives in the Boston suburbs and has an advice program on Boston radio, where she is "Doctor Gorgeous." The youngest, Pfeni Rosensweig, age forty and never married, wanders the world as a journalist and is working on a study of the women of Tajikistan. None of the sisters are truly happy, though all are reasonably content. During the weekend with Sara, their relationships with each other and with the men in their lives unfold, creating tensions and crises for all. Sara's daughter Tess, about to begin college, acts as a young foil for the opinions of the older generation and puts many of their issues into a more modern perspective.
Wasserstein's ear for dialogue allows her to convey information naturally through conversations and interactions, and the scenes between Pfeni and her bisexual lover Geoffrey, a flamboyant theatre director, are hilarious, as she offers him grounding, while he gives excitement to her time away from her travels. Geoffrey's friend, Merv Kant, a furrier--and highly unlikely suitor for Sara--proves to be a kindly man who is not intimidated by Sara, though she rejects him outright. Their scenes provide the meat-and-cabbage of the thematic development as they examine their Jewish backgrounds, their feelings, and their individual hopes, if any. Gorgeous, happily married, has secret worries of her own, even as she offers advice to young Tess, who plans to go to newly liberated Lithuania with her boyfriend.
Though Wasserstein's themes are impossible to miss, this play is funnier (and less strident) than some of her other plays, and while the characters are generally stereotypes, they are quirky enough here to inspire audience sympathy, even as their absurdity becomes obvious. Written in 1992 and hugely successful on Broadway, The Sisters Rosensweig won the Outer Critics Circle Award in 1993. n Mary Whipple
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 Great going down memory lane! July 10, 2006
Anne (Chicago, IL)
1 out of 4 found this review helpful
Saw it on Broadway and just love it on tape! Hearing it just brings me right back. Oh, Wendy, I miss you!
And even if you didn't see the play you should still listen to this! Then just close your eyes and imagine!
Sweet Family Union November 12, 2004
Aco
8 out of 8 found this review helpful
The Sisters Rosensweig is a terrific, sweet and very humane play about a gathering of people, in particular three Jewish American sisters in London in 1991. Each of the sisters is stuck in some way, trapped by time in their mid-lives. They are joined at oldest sister Sara's London home by Sara's daughter, and several male suitors/friends.
Throughout Wasserstein keeps the tone light and the wit cracking. Everyone of these characters is intelligent and visible, knows the world yet remains perplexed by their own lives.
To me this is the type of affirming family bound play that warms, and though life remains elusive in many ways, the sisters know they have each other and use that love and charity to sweet degrees.
Recommended, smart and funny.
Ms. Wasserstein continues to delight August 11, 2000
Lauren Bonner (Memphis, TN USA)
15 out of 16 found this review helpful
Reading a play by Wendy Wasserstien is always a delight, but even though all of her writings are to be savored, The Sisters Rosensweig exhibits an important mark in the author's maturing style. In spite of this maturation, however, the story line never grows stale and Ms. Wasserstein never fails to draw from her reader a smile and a laugh, and give to give us a refreshed sense of the type of person we want to be--it's self-help through fiction!The Sisters Rosensweig follows the reunion of three Jewish sisters who come together for a visit in Queen Anne's Gate, London, and the joys and struggles they share concerning romance, careers, childhood, and family--joys and struggles with which we all identify, not only as women but as human beings. Thank you, Ms. Wasserstien, for another delightful treat!
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