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Denzel Washington: His Films and Career |  | Author: Douglas Brode
Publisher: Citadel
Category: Book
List Price: $22.50
Buy Used: $1.66
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Seller: _athenaeum_
Rating:  2 reviews
Sales Rank: 1246214
Media: Hardcover
Edition: 1st Ed.
Pages: 232
Number Of Items: 1
Shipping Weight (lbs): 1.4
Dimensions (in): 9.8 x 6.3 x 1.3
ISBN: 1559723815
Dewey Decimal Number: 791.43028092
EAN: 9781559723817
ASIN: 1559723815
Publication Date: March 1996
Availability: Usually ships in 1-2 business days
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| Editorial Reviews:
Amazon.com Review
Denzel Washington is certainly one of the finest actors working today, having earned an Academy Award nomination as Stephen Biko in Cry Freedom and a Best Supporting Actor Oscar for his role in the Civil War action/drama Glory. But perhaps his greatest contribution to American cinema is something he has done better than any other African American actor before him--transcend racial lines. As Douglas Brode, author of Denzel Washington: His Films and Career states, "Denzel has always insisted, in his personal life, that he wants to be treated in a color-blind manner, while professionally he has always been on the lookout for just such film roles." The best moments here are the revelations regarding Washington's film choices, including how he turned down a role in Oliver Stone's Platoon because, he said, he didn't just want to play "one of the black characters" who either "cleaned toilets" or "left before the fighting started." Instead, he pitched himself to Stone as one of the lead characters, the part eventually portrayed by Willem Dafoe. He has since gotten his chance at starring roles many times over, often with impressive results. This biography and film history chronicles Washington's film career admirably up through the 1996 drama Courage Under Fire, complete with 24 pages of photographs. --Walt Opie
Product Description
Taking readers behind the scenes of the Oscar-winning actor's films, a biography explores his life and career, showing what each of his many films, from Cry Freedom to The Pelican Brief, reveals about him.
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| Customer Reviews:
 Excellent July 10, 2009
Joann B. Nelson (San Bernardino, CA USA)
I receive the book in excellent condition and in a timely delivery.
Thank you.
 Denzel Washington: His Films and . . . His Films??! September 3, 1998
CRM1@aol.com (Philadelphia, PA)
10 out of 10 found this review helpful
If you are looking for a definitive, "traditional" biography of Denzel Washington, this book is definately not it. Author Douglas Brode (who, it should be noted, is a well-respected writer of film and television personas) offers the reader a biographical filmography of sorts, which appeals more to film wonks and students of cinema than it does to the average Denzel fan. Strictly speaking, Brode just doesn't reveal exactly who Denzel Washington is off-screen; indeed, the first chapter, "Deconstructing Denzel," is as close as the reader gets to finding out about Denzel's past (included are brief mentionings of his youth, his pre-acting days and his time at Fordham University, where he got his first taste of "serious" acting). The rest of the book takes the film-by-film approach to Washington's career, squeezing Denzel's personal life into the extra spaces of the context in which each film is discussed. This approach becomes problematic -- and frustrating -- as the reader never really is able to fully recontstruct Denzel after the book's intro, a fact that further enhances the charismatic performer's notoriously [and ironically] enigmatic and aloof off-screen persona (anyone who's read or seen an interview of Washington knows exactly what I mean). The book, however, shines in its extensive analysis of Washington's films from a critical standpoint and enables the reader to be privy to "behind-the-scenes" information on all of his films, from the forgettable "Carbon Copy" (1981) to "Courage Under Fire" (1996), while adding an impressive technical insight not found in many mainstream bios of "celebrities." That said, it is regrettable that there is little mention of Denzel's non-cinematic successes and failures; I would have liked to have read more on his "St. Elsewhere" days as well as his early struggles as an actor on the New York theater scene. I also would have enjoyed more information on his family, particularly his wife, Pauletta, an accomplished artist (pianist, actress, songstress) in her own right. Make no mistake: despite its numerous flaws, the book is a valuable resource for Denzel fans and is especially good as a reference to supplement one's viewing experience after watching any one of Washington's powerful performances (excluding the one in the aforementioned "Carbon Copy") that prove why he remains such a widely admired [and coveted] "A-list"-actor. ---- K.J. Martin
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