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The Madonna of the Future: Essays in a Pluralistic Art World |  | Author: Arthur C. Danto
Publisher: University of California Press
Category: Book
List Price: $27.95
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Seller: berkeleylibraryfriends
Rating:  1 reviews
Sales Rank: 1076714
Media: Paperback
Pages: 480
Number Of Items: 1
Shipping Weight (lbs): 1.3
Dimensions (in): 9 x 5.8 x 1.3
ISBN: 0520230027
Dewey Decimal Number: 709.04
EAN: 9780520230026
ASIN: 0520230027
Publication Date: September 4, 2001
Availability: Usually ships in 1-2 business days
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Product Description
The Madonna of the Future finds Danto at the point where all the vectors of the art world intersect: those of traditional painting, Pop art, mixed media, and installation art; those of art and philosophy; those of the specialist who brings theory to bear on the work and the viewer who appreciates it primarily visually.
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| Customer Reviews:
He missed the communicational society of ours January 19, 2004
Jacques COULARDEAU (OLLIERGUES France)
2 out of 9 found this review helpful
This book is a collection of articles and essays, most of which must have been published in The Nation, for which Danto is an art critic. They cannot and will not reveal any structured and clearly defined approach of art. They are an impressionistic progress through Danto's own writings. But Danto ignores anything that does not go his way. He ignores Bosch who is the negation of his « beauty » definition of Renaissance art. He ignores all those who deal with « ugly » subjects, even Goya and his drawings about the horror of war and many other subjects. He ignores television and video art, directly on these media (there is one instance in this book of the use of video art in a museum presentation : that is not television and video art, that is the use of video and television technology within the museum). He even relegates video and television art in the « demotic » field, that is to say art for the people, and this approach, borrowed from Hegel, is absolutely condescendent towards the people : people can only suck on the television pacifier because they are not able to understand and enter the sphere of real art. Danto is an aristocrat, like all art critics. He thus ignores the audience of art, the people who are bombarded with artistic forms everyday in the supermarkets, in films, on TV, and in all kinds of mediatic channels. Danto is a typical university professor turned into an art critic and who advocates and illustrates the dominant vision that art is IN the artist, IN the official art circulating system, IN the critic's analysis of it. I dream of a real republic of arts, arts FOR the people, WITH the people and BY the people. Not a submission of artists to the « uneducated » people but a constant permanent intercourse (and this implies exchange, and personal - even sexually and emotionally motivated - connection) between the artists and the wide audience that is bombarded with artistic productions. When I read Danto I think of what Spiro Agnew said about « ephete intellectuals ». Agnew was not a very kosher and clean character but he definitely had one point here : what is important in art is the effect it has on the widest audience possible through the various media that use artistic concepts and constructs to be effective. What I am interested in is not the self-satisfied belly-button titillation of artists or art critics but the real effect art forms have on people in general through channels that Danto does not even know, because he is totally locked up in his artistic ghetto. It's a shame because some of his ideas are interesting, orginal and even explosive. But he does not even know about it.Dr Jacques COULARDEAU
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