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African Majesty: The Textile Art of the Ashanti and Ewe |  | Authors: Peter Adler, Nicholas Barnard
Publisher: Thames & Hudson
Category: Book
Buy New: $98.93
as of 2/10/2010 10:42 EST details
New (3) Used (8) from $62.94
Seller: jonnyboysbooks
Rating:  2 reviews
Sales Rank: 1918861
Media: Paperback
Pages: 192
Number Of Items: 1
Shipping Weight (lbs): 2.4
Dimensions (in): 12.1 x 9.1 x 0.8
ISBN: 050027844X
Dewey Decimal Number: 745
EAN: 9780500278444
ASIN: 050027844X
Publication Date: October 1995
Availability: Usually ships in 1-2 business days
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Product Description
Within the borders of present-day Ghana and Togo, there exists a tradition of weaving. Inspired by the demands of royalty and ceremony, the weavers of the Ashanti and Ewe tribes have created cloths that combine colour and pattern. Worn like the togas of ancient Rome, these textiles are made from narrow lengths of cotton or silk, first woven on small drag looms, then cut and sewn together. The bands of colour are often balanced and enhanced by the woven details of motifs, providing a vocabulary of information for the owner and the onlooker - an indication of prestige or rank, or as a reflection of the key elements of everyday life. Over 130 textiles are included in the book, together with full descriptions of each example. An historical survey, an explanation of the methods of weaving and the use of cloths, is also included. This text should appeal to anyone interested in textile history, in African culture, or in tribal art.
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| Customer Reviews:
Contents October 21, 2009
2crazy4books2
African Majesty: The Textile Art of the Ashanti and Ewe
by nicholas barnard ~ peter adler
Within the borders of present-day Ghana and Togo, there exists a tradition of weaving. Inspired by the demands of royalty and ceremony, the weavers of the Ashanti and Ewe tribes have created cloths that combine colour and pattern. Worn like the togas of ancient Rome, these textiles are made from narrow lengths of cotton or silk, first woven on small drag looms, then cut and sewn together. The bands of colour are often balanced and enhanced by the woven details of motifs, providing a vocabulary of information for the owner and the onlooker - an indication of prestige or rank, or as a reflection of the key elements of everyday life. Over 130 textiles are included in the book, together with full descriptions of each example. An historical survey, an explanation of the methods of weaving and the use of cloths, is also included. This text should appeal to anyone interested in textile history, in African culture, or in tribal art.
African Majesty - The Glorious Weaving of West Africa March 30, 2000
Marie Waterman (West Virginia)
27 out of 27 found this review helpful
African Majesty is the historical study of the weaving practiced by two separate West African tribes. Inhabiting the present day countries of Ghana and Togo, the weaving traditions of the Ashanti and Ewe have been traced from the writings of the European explorers of the 15th century.Their seemingly simple process is called "strip weaving". Strip weaving is the art of hand weaving narrow(3"-5")strips which are later hand sewn together into larger pieces to make the wearing cloth of both men and women. Intensely laborious but extremely portable, these combined strips are referred to in the West as "kente" cloth, a mixture of color and pattern which has been imitated in fabric prints. The team of Adler and Barnard, a textile scholar and a writer, has produced a magnificent collaboration which showcases this art. 131 color illustrations,including many full page plates, reveal the native use of intricate patterning and a wide range of colors. Each example is numbered and the patterns contained therein are named by their tribal name, translation, explanation of uses by particular segments of society and their place of origin. The pictured cloths are really incredible. Before reading this book I had dismissed this type of cloth as a hodgepodge of simple plain weave thrown together like a crazy quilt. Seeing the multitude of patterns and reading about the fine silk and cotton yarns employed has given me an appreciation for this painstaking craft. Barnard and Adler have compiled a wonderful book, enhanced by maps of the region, a glossary of African terms and a bibliography. Though even in the face of Western influence the simple everyday strip cloth material continues to be purchased and worn, it is the specially commissioned designs which are disappearing. Hopefully this book will attract a wide audience and stimulate demand by private collectors for this awesome handweaving.
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