Archive for October, 2009


Michael Connelly: when fact meets fiction

michael%20connelly on ani ashekianAuthor Michael Connelly, whose latest mystery, "9 Dragons," involves a missing person’s case in Hong Kong, has written an interesting commentary for CNN on the confluence of fact and fiction. He notes that a November, 2008 research trip to Hong Kong’s Chungking Mansions area coincided with a real-life mystery: the disappearance of Canadian tourist Ani Ashekian, 31.

Connelly reflects on the emotions he had encountered years ago as a crime reporter, and how writing fiction is different — at least until a tragic coincidence such as this occurs. He writes: "I remember this from my days as a reporter — that hollow dread and desperate hope I could read in the eyes of some of the people I interviewed — and I thought I had left it all behind for the comfortable confines of fiction. Sometimes it doesn’t work out that way. Now when I think back on my research trip to Hong Kong, I think of the young woman from Toronto who visited the same place and never returned home."

Photo by Steve Vascik via Little, Brown publishers



Posted on Oct 29th, 2009 by Dave Rosenthal in Uncategorized |

Reinvention Is the Best Defense

Electricno2.jpg
Andy Hunter and Scott Lindenbaum have been generating some electricity recently for founding Electric Literature, a new magazine that takes an extreme tech-forward approach to delivering literary fiction. Copies of the magazine—which is visually electric, and electric in its dedication to top-notch writing, too—can be printed on demand or downloaded in Kindle, e-book, iPhone, and audio editions. No digital medium is off limits: the Web site features short video works based on stories in the magazine, and Rick Moody will tweet a story for next month’s issue. Another impressive thing about Electric Literature is that they’re able pay their writers a thousand dollars per story, a feat that could make their particular sense of how we engage with fiction today a model for the future.

Hunter and Lindenbaum threw a party last night to celebrate their second issue, with stories by Colson Whitehead, Lydia Davis, Stephen O’Connor, Pasha Malla, and Marisa Silver, at Drom, a bar that makes very strong gin-and-tonics in the East Village. Both founders seemed thrilled and unused to the heavy attention they got from the crowd, a mix of young literary types and younger people who probably came for the band. Martha Colburn screened a few of her animations, based on single sentences from the magazine’s first issue, and Jim Shepard and Michael Cunningham read from forthcoming novels. Hunter made a speech. “For people like us, books were a lifeline growing up,” he told everyone. “You have to defend the things you love, even if defending means reinventing it.” After he said that, Niho Hatori’s band New Optimism played a set accompanied by three shirtless dancers wearing masks. Cunningham seemed thrilled, and that’s when it became clear it wasn’t a party for Ploughshares.

Posted on Oct 29th, 2009 by Nick Liptak in Electric Literature |

Happy Halloween! Listen to a Podcast with Richelle Mead, author of Blood Promise

(View entire post here)

Halloween is still two days away but get your vampire fix with this special podcast. Richelle Mead visited the Penguin office about a month ago en route to her Australian book tour and she talked to us about her fabulous YA series, "Vampire Academy".

 

 

 Blood Promise

Richelle Mead – author

$16.99 – add to cart

Book: Hardcover | 8.26 x 5.23in | 512 pages | ISBN 9781595141989 | 25 Aug 2009 | Razorbill | 12 – AND UP years 

 

 

Vampire Academy Collection

Richelle Mead – author

$26.99 – add to cart

Book: Boxed set | 24.48 x 10.51in | ISBN 9781595142719 | 13 Oct 2009 | Razorbill |  12 – AND UP years

 

Posted by: Julie Schaeffer, Online Content Coordinator

Blood Promise, Richelle Mead, Vampire Academy, Razorbill, dhampir, vampire mythology, writing YA series

Posted on Oct 29th, 2009 by Penguin Group USA in Penguin Bloggers, Penguin Podcast |

Talking Generosity-Based Publishing with Gregory Maguire

Maguire.jpgGregory Maguire, the prolific author of “Wicked” and dozens of other books (including a series for children), has just knocked off another, his third this year. “The Next Queen of Heaven” comes not from Maguire’s usual publisher, HarperCollins, but from Concord Free Press, a nonprofit publisher based in Concord, Massachusetts, where Maguire lives. The book has an initial print run of twenty-five hundred copies (the first run of his most recent hardcover from HarperCollins was upward of three hundred thousand) and sells for … Wait a minute—it’s free. “All we ask,” the publisher writes on its Web site, “is that you make a voluntary donation to a charity or someone in need. Then pass your book along so others can give.”

You can get your free copy of “The Next Queen of Heaven” from Concord’s Web site, which is giving away a hundred copies a day. Tomorrow (Friday) is the last day. The Web site also maintains a list of independent bookstores that may carry the book. If you are lucky enough to find one, pass it on!

Maguire recently chatted with me about “The Next Queen” and how he made the decision to publish with Concord.

QueenofHeaven.jpgGregory, I understand that your new book is part of a “revolutionary experiment in generosity-based publishing.” What’s the deal?

Concord Free Press was thought up and is managed by writers, not business people, and they have this novel notion that the intrinsic value of the reading experience of new books and the fiscal hoopla—be it hallelujah or horror—that attends any book’s publication are separate items and need not always be conflated. Sure, CFP wants to make money—for other people’s good causes—but they want to remind readers, too, that the healthy bottom line of any novel is less important than any other line of the novel … as long as the novel is good enough.

Why did you give this particular book to Concord Free Press instead of to HarperCollins? Does it have a plot that might soften people up and make them want to give to charity? What is the plot?

The CFP first edition of “The Next Queen of Heaven” is a teaser edition of only twenty-five hundred. It’s quite possible that HarperCollins will want to publish “The Next Queen of Heaven” in a second edition. That way lots of readers can enjoy it, and libraries can lend it, and bookstores peddle it, to the extent the market allows. But CFP prides itself in asking established authors for manuscripts that allow the authors to “break out” of their P.R. niche, as it were. I am known as a fantasist primarily; “The Next Queen of Heaven” is a sort of farce about millennial anxiety and the possible Second Coming of Christ in 1999. Next question?

Did you have to clear the arrangement beforehand with HarperCollins?

I perch, nominally, on the board of the Concord Free Press, which is a 501 (c)(3). Those numbers mean it’s a nonprofit registered with the Commonwealth of Massachusetts. Happily, that requires a board. We’ve never actually had a board meeting yet, but we drink a nice little bit of decent wine several times a month, and things get done. When I was approached to submit something, I did let HarperCollins know what I was doing. In good faith—because Harper has two new books from me this season, too—I promised to make only two public appearances expressly to promote “The Next Queen of Heaven.” Happily, at the first event I sold and signed “Making Mischief: A Maurice Sendak Appreciation” and “Matchless: A Christmas Story,” my two Harper titles. But the folks at Harper are keen-eyed about the industry—as are all publishers—and while they wouldn’t want me to make a habit of giving my work away for free, they conceded that this was a one-time opportunity too good to pass up.

I see that the Web site of Concord Free Press maintains a list of donations engendered by its two previous publications. Are you going to monitor the good deeds done in the wake of “The Next Queen”?

Probably not. The point is for people to give to their favorite causes. Or maybe, this once, to the cause that always falls after the dotted line on your list which means “I can’t afford to give even a dollar to anything below this line.” One can give as anonymously as one wants, of course: a donor could register as “Anonymous” and post a donation as “six dollars and twelve cents in a glass jar for a weeping barista.” But Ann and Stona Fitch, the genii behind CFP, clue me in from time to time about the total amount CFP has raised in one year. It’s closing in on a hundred thousand dollars, I think, or will soon.

Stona Fitch sounds like a character out of one of your “Wicked” books. How did you meet? Whence that fabulous name?

I was having work done in my house in Concord and the contractor had done Ann and Stona’s house, about four blocks over, and sent me wandering off to look at some of the effects. We became friends the first day we met.

Stona Fitch (the first name is Turkish, I think) is a fabulous writer himself. I read in proofs his second novel, “Senseless,” which is an eerily prescient parable about torture and the commodification of online-reality. It was published in October, 2001, which is why it didn’t get the attention it deserved, though in fact never ought reviewers to have been paying more attention. The book was and remains downright prophetic.

What accounts for your own beneficence? Were you always so generous?

I would not give away three original manuscripts in a row. I’m not deranged. I wouldn’t give away my home, my kids, or my little pincushion shaped like Natasha the Spy from “Rocky and Bullwinkle.” I do have my human limits. But I suppose I am inclined to unburden myself of the excess beyond which I think it is healthy for me or my family to enjoy.

I think charity is one of these species’ urges that we often learn to suppress, like the extremes of both hostility and courtesy. Loosening up the grip on that extra five has a very good feel to it. One of my little mantras is “Put something down, pick something else up.” When you finish reading a book, don’t cling to it like a talisman: let it go. You’re freer to move on to something else. When you have your bus money and your newspaper under your arm and there’s still five dollars in your pocket, see what good it does to the muscles of your hand to unclamp them and let that greenback loose. This isn’t the notion of karma: “Greater blessings shalt accrue to thee, good Sir, for thy kindness; and they’ll be compounded quarterly.” It’s the notion of simplicity: basic things are sound and uncomplicated, and often make you feel better to indulge in them. Like sneezing.

When the twenty-five hundred copies are gone, is that it? This book will become a collector’s item?

The CFP has promised, and my contract—or “nontract,” as it is called—allows for only one printing. There are no electronic files. But the point is that collectors have to take a deep breath and pass this one up. “The Next Queen of Heaven” is not for collecting. To that end, I don’t autograph them. It is for sharing. Let the pages turn. Let the pennies roll in. You want an autographed copy, wait a year and see if HarperCollins brings out a second edition. I think it will.

Posted on Oct 29th, 2009 by Mary Norris in Generosity-based publishing, Gregory Maguire, The Next Queen of Heaven |

Yann Martel meets Ang Lee in Life of Pi – the movie

richard-parker-tiger-life-pi

Welly welly well, my dear droogs. Not at all sure how I feel about this (thanks, Quill and Quire!).

It seems Yann Martel’s fantastical, dark, strange and wonderful novel Life of Pi is to be made into a movie, directed by Ang Lee (The Ice Storm, Hulk, Brokeback Mountain). I thought Ang Lee did a decent job of Brokeback Mountain, which was adapted from E. Annie Proulx’s short story of the same name – the conflict, emotions and bond between Ennis and Jack was portrayed well on the big screen, and did the story justice.

But while Brokeback had the challenge of emotional struggle, secrecy, and inner turmoil to portray, it was essentially a presentation of facts, in terms of a linear, undisputed storyline – this is what happened, this is what happened next. Life of Pi is anything but. Much of the novel, if you’ve never read it, is impossible (or is it?), magical, and possibly delusional. It has two separate stories running in parallel, and much of the interpretation, the decision of truth, is left up to the reader. I feel one way about it (mostly), and most people I know with whom I’ve discussed the book subscribe to the other possible interpretation. I’m very curious to see how this will be handled in the film version.

I remain cautiously optimistic, with a decent side of skepticism. The film is still being scripted, so no word on the who or when thus far. We’ll keep you posted!

Posted on Oct 29th, 2009 by elizabethc in AbeBooks, books, film, literature, movies |

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